This saturday at Bardschool we are sharing our work and looking at the theme of the Heart and the Imagination, as the theme for this term is Lev, the Heart in Hebrew. Last term was Teshuva - the return home, and next term is Kadosh, the Holy. Obviously all these themes are profoundly linked, but what does that have to do with our work and progress as artists of many genres?
Many are those who would have us accept that art is no more than an idea, unconnected to the artist, or an idea from the artist, but in neither case the fruithful manifestation of the heart of the artist themselves. Yet the heart in the Jewish tradition is the place of decision, the place from which flows good and evil and the fruit of our being.. so how could it be that we who are often as artists the main instrument upon which we are working, not firstly responsible for working on our hearts? If God dwells in our hearts surely the sacramentality of our art is truly related to the state of our heart.
On Saturday and throughout the term, I'd also like us to consider the link between the heart and our imagination. Do we have evidence of this flowing from our work?
We can see evidence of destructive forms of art emerging from the Dada movement which celebrated and encouraged the outpourings of the detritus of a disinhibited unconscious. Its aim was the overthrow of all forms, including governmental; all of which were seen as oppressive. So their view of the connection of between art, the heart and the imagination had specific political ramifications. Their link to Marxism can be clearly identified.
But what is form? What is beauty? What is this word "therapeutic", that can be so abused?
The original word in Greek, Therapeia, meant 3 things
To tend a garden
To honour the gods
and to heal
.interesting.
Especially in the light of one of the comments made by a visitor to my poetry blog today, when reflecting on the poem The Fertile Field - http://sarahdenordwall.blogspot.com/2011/01/fertile-field.html#comments
The visitor said
'Work in silence / In your garden'
Sacrificing time and self to try to free hearts under the Shadow.
If there were more gardens, might there be fewer Gollums? Mine is 'an unweeded garden gone to seed. Things rank and gross in nature possess it merely'. And the door is locked, the key lying around somewhere, under heaps of obligations.
[sigh]
.........................
So here we are developping the Garden of the Bard school and so I've asked various of you to bring some flowers and weeding tools for the work:
I've asked Karol to reflect on her essay Why is Art Therapeutic? which she's just completed for her course, and to balance this with some thoughts on Phenomenology.
I've asked Julia to reflect on some of her thoughts about Grace in the later Romances of Shakespeare.
I'm going to look a little at the experience of 17 years of poetic writing and the heart's journey shared with people from many sections of society.
I know that Roseanne has something interesting for us two from her poetic experience.
Balanced against this was the comment of Tom's poetry teacher who said Poetry shouldn't be therapy. At which I sniffed loudly and asked for some excluded middles in the definition of therapy and poetry... What a potentially inhibiting thing to say to pupils that could be!! I bet Tom was glad I wasn't in the class. He thought it was marvellous. But then he's a 9 on the enneagram and I'm not!
All you fellow bards out there accross the sea in Las Canarias, France, Ireland or the USA, please feel part of this discussion and post to the list and also the Bard School blog or my blog!
This theme of the heart and the human person is so huge, it's definitely worth at least a term of inspired sharing and comment, especially in the wake of the Beatification of John Paul II on 1st May; He who was so much the advocate of the Beauty and dignity of the human person and of the vocations of man and woman - so mysterious and profound.. all you fans of Hildebrand and Von Balthasaar, let's hear from you too!!
much love
Sarah
Thursday, 20 January 2011
Tuesday, 5 October 2010
The Baptised Imagination - a call for Papers - from Irish bards
A wonderful theme and a great invitation from some delightful Irish bards who have their own arts and faith group that has been running for a few years. I met them a couple of years ago at a Theology of the Body Conference in Maynooth and we've been looking forward to collaborating ever since. Sarah Roche sent me the following email and I've asked her to send more details which she is going to do very shortly, but here's the invite so you can get researching the theme if it interests you -
Abstracts are invited for contemporary art and Christianity conference to be held in the Spring of 2011 (exact date to be confirmed) at the Avila Centre for Spirituality, Dublin. The theme of the conference is The Baptised Imagination. (Abstracts of 250 words for 20-30 minute presentations.)
We are interested in submissions from across all artistic disciplines as well as relevant theological papers. This is the third in a series of conferences, primarily aimed at visual artists. An AGM of the group will be held after the presentations.
Further information and submissions: Baptisedimagination@gmail.com
m: (+353) 87 4108165
A bit of googling around the theme led me to this introduction to a PHD on the subject - The Baptised Imagination - The Theology of George MacDonald
The imagination has been called the principal organ for knowing and responding to disclosures of transcendent truth.
This book probes the theological sources of the imagination which makes it a vital and reliable tool for knowing and responding to such disclosures.
It approaches this study through focus on the theologian and imaginative writer George MacDonald. As a 19th Century pastor and writer, Macdonald contributed significantly in fostering theological understanding of the imagination.
He also modeled an imaginative way of communicating theological truth with transforming power to shape human lives, communities and the discipline of theology.
Furthermore, through his theological sensitivity to the imagination, he was able to speak prophetically in a number of areas of contemporary concern, such as the nature of suffering ageing and death, environmental degradation and gender issues.
Macdonald's marriage of imagination and theology emerged from a belief in God as loving Creator and Redeemer and his desire to follow Jesus Christ in all things. He was convinced that a fruitful imagination finds its inspiration in drinking from the wellsprings of God's infinite creativity.
Christ's image-rich manner of conveying his Father's nature and ways was compelling for MacDonald - who was concerned that theology had often become abstracted from imaginative forms and vision, producing husks that were not only hard to digest but also offered little nourishment for an obedient pilgrimage of faith.
MacDonald wrote to offer true food that could empower people to return to a loving father, feast at God's table and be strengthened to share in God's Kingdom work. Because he conveyed his theological convictions in such a refreshing and dynamic way, CS Lewis describes his first encounter with MacDonald's writing as 'converting', even baptising his imagination. Though a young atheist at the time, Lewis was captivated by the way goodness and even death was presented in the Phantastes. MacDonald later became significant in Lewis' pilgrimage of faith and inspired his own richly imaginative expressions of theology.
Abstracts are invited for contemporary art and Christianity conference to be held in the Spring of 2011 (exact date to be confirmed) at the Avila Centre for Spirituality, Dublin. The theme of the conference is The Baptised Imagination. (Abstracts of 250 words for 20-30 minute presentations.)
We are interested in submissions from across all artistic disciplines as well as relevant theological papers. This is the third in a series of conferences, primarily aimed at visual artists. An AGM of the group will be held after the presentations.
Further information and submissions: Baptisedimagination@gmail.com
m: (+353) 87 4108165
A bit of googling around the theme led me to this introduction to a PHD on the subject - The Baptised Imagination - The Theology of George MacDonald
The imagination has been called the principal organ for knowing and responding to disclosures of transcendent truth.
This book probes the theological sources of the imagination which makes it a vital and reliable tool for knowing and responding to such disclosures.
It approaches this study through focus on the theologian and imaginative writer George MacDonald. As a 19th Century pastor and writer, Macdonald contributed significantly in fostering theological understanding of the imagination.
He also modeled an imaginative way of communicating theological truth with transforming power to shape human lives, communities and the discipline of theology.
Furthermore, through his theological sensitivity to the imagination, he was able to speak prophetically in a number of areas of contemporary concern, such as the nature of suffering ageing and death, environmental degradation and gender issues.
Macdonald's marriage of imagination and theology emerged from a belief in God as loving Creator and Redeemer and his desire to follow Jesus Christ in all things. He was convinced that a fruitful imagination finds its inspiration in drinking from the wellsprings of God's infinite creativity.
Christ's image-rich manner of conveying his Father's nature and ways was compelling for MacDonald - who was concerned that theology had often become abstracted from imaginative forms and vision, producing husks that were not only hard to digest but also offered little nourishment for an obedient pilgrimage of faith.
MacDonald wrote to offer true food that could empower people to return to a loving father, feast at God's table and be strengthened to share in God's Kingdom work. Because he conveyed his theological convictions in such a refreshing and dynamic way, CS Lewis describes his first encounter with MacDonald's writing as 'converting', even baptising his imagination. Though a young atheist at the time, Lewis was captivated by the way goodness and even death was presented in the Phantastes. MacDonald later became significant in Lewis' pilgrimage of faith and inspired his own richly imaginative expressions of theology.
Friday, 1 October 2010
Welcome to The Bard School!
'The Bard School has been a light in the darkness for me and water in the desert. It has sustained me in my calling as an artist and as a Christian.' Karolina Stolarska, MA in philosophy and theology, developing as a poet, visual artist and creative facilitator.
'The Bard School is a place where I can gaze on the face of mystery, meet other Christian artists and rejoice in the image of the invisible God!' Martin Earle, graduate of the Royal Academy, animator.
Christians of all denominations are more than welcome to share and enrich our fellowship as well as those who are curious about the call to follow Christ.
We are exploring the idea that art can provide a prophetic witness in society, but for this witness to be authentic there must also be a deep journey of prayer and transformation on our own Christian journey. We are finding that the artistic process itself plays a decisive role;
'For the artist, art offers both a new dimension and an exceptional mode of expression for spiritual growth.' John Paul II
We have workshops which help us to understand the theology and philosophy which help to calibrate our artistic work and experience.We encourage and support each other through prayer, as well as sharing practical skills on the marketing, business and production side of things.
The Bard School is not just a network, nor is it just a place to promote and advertise work; it is a dispersed community and a place for friendship and Christian renewal. A participant at the workshop on October 23rd said, 'All the elements of nurturing the artistic and prophetic voice were here today: practical, intellectual, inspiring and full of authentic fellowship.'
If you think The Bard School could help you in any of these areas and you could help to encourage and inform fellow bards similarly, then do consider coming along to some of the meetings that are generally on 4th Saturday of the month. Please click here to see when the next Bard School meeting is. If you’d like to know more then do feel free to call on 07849 641 899.
Sarah de Nordwall - a bard with a bard school
http://www.bardschool.co.uk/
Testimonials
'The Bard School brought me into creative participation with other Christian artists. It works on different levels, being a catalyst for artistic practice within the Christian heart. It's been nurturing to be part of a community who understand the calling to be artists who want to engage creatively with God. This turns creativity into prayer and worship, mission and meditation, search and discovery.
Artists of all disciplines need support and opportunities from the Church (and Charity sector) to realize their gifts and to bring God's love, colour, form, light and wonder to his Church and the world He loves. Art has never been more liberated as it is now in the 21st Century and offers an extraordinary means to give form to the mysteries of God, the teachings of Christ and the Apostles. I believe the Church is the native home of Art and the Bard School should be an axis for this realization.'
Robert Enoch,
Installation Artist (Protestant)
Installation Artist (Protestant)
'"I have come that they may have life, and have it to the full". The Bard School made me feel more alive and enabled fellow artists to give each other life and joy. It also gave me great hope and encouragement for the future.'
Alex Haydon,
Catholic writer and assistant to a Catholic Member of Parliament
Catholic writer and assistant to a Catholic Member of Parliament
'Thank you for the joy that The Bard School inspires in all the artists that have joined. It has encouraged us to follow our artistic callings and conversion.'
Rebecca Jellie,
Visitor from New Zealand, teaching psychology and studying ballet and art
Visitor from New Zealand, teaching psychology and studying ballet and art
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